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With Satisfaction: Pattern and Design in American Art 19721985 is the very first full-blown scholarly study of this groundbreaking American art movement, incorporating works in painting, sculpture, collage, ceramics, installation art, and efficiency documentation. Covering the years 1972 to 1985 and including around fifty artists from throughout the United States, the exhibition analyzes the Pattern and Decoration movement's bold welcome of kinds typically coded as womanly, domestic, ornamental, or craft-based and believed to be unconditionally inferior to fine art.

Their work across mediums specifically evokes a pluralistic selection of sources from Islamic architectural decoration to American quilts, wallpaper, Persian carpets, and domestic embroidery. Pattern and Decoration artists practiced a postmodernist art of appropriation borne of love for its sources rather than the negative detachment that ended up being de rigueur in the international art world of the 1980s.

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Though little studied today, the Pattern and Decoration movement was institutionally recognized, seriously received, and commercially successful from the mid-1970s to the mid-1980s. The frustrating prevalence of craft-based practices and unabashedly decorative sensibilities in art of the contemporary indicate an influential P&D legacy that is ripe for factor to consider. With Satisfaction: Pattern and Decoration in American Art 19721985 is organized by Anna Katz, Manager, with Rebecca Lowery, Assistant Manager, The Museum of Contemporary Art, Los Angeles.

Major support is supplied by MOCA Projects Council and the Carl & Marilynn Thoma Art Foundation. Extra assistance is supplied by Clinton Hill/Allen Tran Foundation, Helen N. Lewis and Marvin B. Meyer Charitable Fund in Caring Memory of Marvin B.  Another Point of View , and Thomas Solomon and Kimberly Mascola. Exhibitions at MOCA are supported by the MOCA Fund for Exhibitions with significant financing provided by The Offield Household Foundation and generous financing provided by Dr.

Holland Structure, Nathalie Marciano and Julie Miyoshi, Steven and Jerri Nagelberg, Beth Redmond, and Jonathan M. Segal through the Rhonda S. Zinner Structure. This exhibition will travel to Hessel Museum of Art, Center for Curatorial Studies, Bard College from June 26 - November 28, 2021.

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Please see the Fire Avoidance page for additional info, and our What to Bring page for information on allowed and prohibited devices. Please keep these policies in mind when decorating your room/suite/apartment. Curtains, drapes, hangings, banners, and material flags are not permitted. They may not be suspended from walls, windows, or ceilings.